eC!

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Call for Contributions

21.1 Live Coding • 21.2 Conceptual • 22.1 Sound Art • 22.2 Alternative Formats • 23.1 Sound Installation • 23.2 Non-Western Practices

Published by the Canadian Electroacoustic Community (CEC) since 1998, eContact! is an online journal dedicated to the exploration and promotion of the richly diverse discipline of electroacoustic practices.

This freely accessible and media-rich journal is published three times a year, with submission deadlines falling on the 1st of the month prior to publication.

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Renick Bell performing in the second edition of Interim Report at Circus Tokyo (Japan) on 22 September 2017. Image © Renick Bell. [Click image to enlarge]

eContact! 21.1 — Take Back the Stage: Live coding and laptop orchestras

For many electroacoustic composers and sound artists, coding and programming are by no means new concepts. However, their manifestation as an aspect of live performance has proven an engaging development over the past decade. The laptop orchestra (lork) is one commonly encountered multidisciplinary configuration in live coding contexts.

EXTENDED Submission deadline: 15 April 2020
Publication: 31 May 2020
Submission Process

eContact! 21.2 — Conceptual Approaches to Sound-Based Artistic Practices

In contrast to works in which sound materials, gestural characteristics and musical or sonic structures are paramount, the “material” per se in some artists’ practice is rather the concept. This inescapably leads to unique works that in many cases demand a rethinking of listening paradigms and presentation formats.

Submission deadline: 1 August 2020
Publication: 15 September 2020
Submission Process

eContact! 22.1 — Sound Art

[More information shortly]

Submission deadline: 1 April 2021
Publication: 15 May 2021
Submission Process

eContact! 22.2 — Alternative Presentation Formats for Electroacoustic Practices

[More information shortly]

Submission deadline: 1 August 2021
Publication: 15 September 2021
Submission Process

eContact! 23.1 — Sound Installation

[More information shortly]

Submission deadline: 1 April 2022
Publication: 15 May 2022
Submission Process

eContact! 23.2 — Sound-Based Artistic Practices Outside the Western World

[More information shortly]

Submission deadline: 1 August 2022
Publication: 15 September 2022
Submission Process

Submission Process

Contributors MUST follow the Submission Guidelines for eContact! and, when preparing their work for submission to the journal, MUST use the article template available at the top of the Guidelines page.

Questions that are not answered here or on the Submission Guidelines page about contributing to eContact! or preparing your submission for the journal can be addressed to the Coordinating Editor, jef chippewa.

Article Formats

In addition to feature articles 1[1. Key articles addressing the theme of the issue, typically 3000–8000 words. See, as an example, this 8400-word article.], brief texts 2[2. Often having a more informal tone than in “feature” content and usually in the 1800–4000 word range. See this 3000-word article.] and interviews 3[3. Length varies, but 2000–8000 words when transcribed would be the norm. See this 3150-word interview.], we welcome submissions of “Artist Galleries” — personal articles about the author’s own practice(s) 4[4. These texts must be more substantial and interesting than a copy-paste biography and programme note and are usually 900–1500 words in length. See examples here and here, 1300 and 1100 words, respectively.] that feature a much higher proportion of audio, video and images to text than in other article formats.

While new and/or unpublished materials are preferred, reprints of previously published materials are also possible (eContact! will credit and link to the original publication).

Media

The inclusion of audio and video support documentation, photos, technical diagrammes and sketches is strongly encouraged. Audio and video examples should be submitted in the highest quality possible.

Copyright

The author is responsible for securing all permissions and clearing any copyrights related to the submission, including, but not limited to, texts, audio and video recordings and images (figures, photographs, etc.).

Inclusivity

As with all its projects, the CEC subscribes to the broadest definition of electroacoustics for the journal, which encompasses acousmatic, musique concrète, electronic music, tape music, live electronics, acoustic ecology, soundscape, videomusic, circuit bending, hardware hacking, mixed media, turntablism, generative, glitch and beyond.

Conseil des arts du CanadaFondation SOCAN Foundation

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