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Jeu de temps / Times Play 2017 (JTTP 2017)

Call for New Works from Young and / or Emerging Sound Artists / Composers

Deadline for submissions: May 1, 2017 (postmarked)

What is JTTP?

A large multi-leveled project of the Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic Community, JTTP is an annual project aimed at promoting and celebrating new electroacoustic works from young and/or emerging sound artists/composers from (or living in) Canada.

JTTP offers the following to the participants:

The best way to find out about the JTTP is to look over the past editions that are on the CEC’s website. From the website you can listen to the past years’ submissions, see who participated in the juries, and read the programme and biographical notes. A longer and more detailed explanation can be found here that should answer most questions.

Who is eligible?

Artists/composers from (or living in) Canada.

What is a “young and / or emerging sound artist / composer”?

This would be someone who is likely to be continuing studies in an educational facility or possibly someone for whom there has been little or no national or international recognition of their work and potential in the short period of time that they have been involved in the field.

Do I need to become a CEC member to participate in the project?

No. Participants are not required to be or become CEC members.

What about copyright?

All participants will retain full copyright of their work.

What are the submission criteria?

A complete and eligible submission package will include the following:

Audio Formats

We only accept audio files in non-compressed formats (no mp3, etc.).

Multichannel Submissions

All multichannel submissions must include:

File Naming Convention for Speaker Positioning

Use the format "lastname_keywordfromtitle_POSITION.extension" to name your files (change all special characters to Roman letters: e.g. change éèê to e, etc). Do not include any other information in the file names (e.g. bit depth or sample rate).

To indicate the speaker position for each stem, use capital letters as follows for works up to 8.1 (larger setups should be based on this model and detailed in a separate Tech Sheet):

L = left
C = centre
R = right
F = front
S = side
B = behind
SUB = subwoofer

LF    CF    RF

LS          RS

LB    CB    RB

eg. Kevin Austin — The Mandolin Rises at Noon (2009), for solo loudspeaker and subwoofer (1.1)

austin_mandolin_CF.aif
austin_mandolin_SUB.aif

Technical Sheet for Multichannel Submissions

Indicate the name of your work as the title of the Tech Sheet. Do not indicate your name or any other information that could identify you, as this sheet will be provided to the jury.

Indicating the following information for your submission. Feel free to add any other relevant information.

Videomusic submissions

In addition to the official work, a second version of it must be submitted that is identical except that any credits, names or other identifying features have been removed. This anonymous version will be provided to the jury.

All videomusic submissions must be of the following formats: Apple ProRes or Avid DNxHD.

Who is supporting this project?

This project is supported in part by CEC membership dues, the SOCAN Foundation, the Canada Council for the Arts, as well as by generous donations from a number of individual and institutional Project Partners.

Who can I contact for more info?

For any questions that have not been answered on this page or in the longer and more detailed explanation, email the project administrators at cec@sonus.ca.

Project Schedule

May 1st — Deadline for submissions
Mid-June — Results announced

All pieces submitted will automatically be added to the SONUS.ca database/archive.

Conseil des arts du CanadaFondation SOCAN

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